The Good Person

When Sharon, an ambitious art-house film producer, finds herself on the brink of bankruptcy, she seizes an opportunity to salvage her future and her sense of self-worth by collaborating with Uzi Silver, who had once been a revered director, but has since become an Ultra-Orthodox rabbi, and now wishes to make his comeback film – an adaptation of the biblical tragedy of King Saul. This joint effort soon turns out to be highly problematic, threatening to undo much more than their careers and their financial standing.

Screening in the presence of the creators

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